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Parasite: Grifters, Frisky Heterosexuals, and a Disgusting Plot Twist

 

Friday night is date night.  During the pandemic, that means Chinese food and a red-envelope Netflix dvd.  Bob populates the list, so I have no idea what the movie will be in advance.  But his tastes run to science fiction, superhero, and horror, so when I saw the title Parasite, I assumed it was like Robert Heinlein's puppet masters, slimey bogies that attach to your spinal cord and turn you into a zombie. 

Until we started watching.  It's a parable, about class struggles, the highest grossing South Korean movie in history, and the only one to win best picture at the Academy Awards.  

I still didn't like it.  I hate movies that suddenly shift from comedy to horror.

The Kims, a family of grifters -- Mom, Dad, young adult son and daughter -- live at the bottom of the bottom of Korean society, literally -- in a basement apartment at the bug end of an alley where homeless guys come to piss.  They have jobs as pizza-box folders while waiting for their next score.  



It comes from the ultra-rich Park family, who live at the top of the top in an impossibly elegant house where every room is the size of a football field.  We don't know where Dad Park Dong-ik (Lee Sun-kyun, left, old photo) acquired his wealth; there's a framed magazine article on the wall about him playing in Central Park, so a musician; but he's also shown evaluating electronic gadgets, so an entrepreneur.

1. Old friend Min-hyuk (Park Seo-joon) is going away for a year, and suggests that son Kim Ki-woo (Choi Woo-shik) fake a university degree and take over his job tutoring the Parks' 16-year old daughter.  

Kim Ki-woo gets the job.  He and the daughter also start kissing, which I found distasteful.  He's at least 23 (the actor is 30), and in a position of authority.  Besides, the daughter doesn't seem to be all there.

He suggests that the Parks' 10-year old son, a troubled, hyperactive boy who paints disturbing surreal pictures (how does he sit still long enough?), could benefit from expensive art therapy from:

2. Daughter Kim Ki-jeung.  He pretends that they don't know each other (and 20% of the Korean population is named Kim, so no one comments on the similar name).  

Daughter  gets the chauffeur (Park geun-rok, top photo) fired by leaving her panties in the car, and recommends a new chauffeur:


3. Father Kim Ki-taek (Song Kang-ho, left, old photo).  

Then they get the housekeeper, Gook Moon-gwang, fired by making everyone think that she has tuberculosis.  And recommend as a new housekeeper:

4. Mother Choong-sook.

They've conned their way into their jobs, but they are perfectly competent, so not much of a problem, right?  

Then things start to get bizarre.

The Parks are not aware that there is a secret door in the lower kitchen that leads through a maze of tunnels and stairways to a bunker, where the ex-housekeeper's husband Oh Geun-sae (Park Myung-hoon) has been hiding from loan sharks for four years.  He's gone a bit daffy due to isolation.  Well, a lot daffy.

Each group of grifters wants to expose the other's secrets.  There is a lot of slapstick comedy  violence.  Then suddenly the tone shifts, and things get deadly.  A lot of people get brutally murdered.  I'm not sure who -- people who were lying in pools of blood turn up alive later, and people who were stabbed in the shoulder end up kaput.  According to wikipedia, ex-housekeeper, her husband, the Kim daughter, and Mr. Park, but there could have been others.  

I hate it when you're expecting a comedy and you end up with a tragedy, 


Beefcake:
A lot of hunky Korean actors, but no one takes off a shirt.  

Other Sights: The house is a work of art.

Gay Characters: When Min-hyuk suggests the tutoring job, he tells the Kim son, "I know you won't try anything with her."  I interpreted that to mean that Kim Ki-woo was gay, until the kissing begain.

Heterosexism: Rampant frisky hetero-horniness: "let's do it in the kitchen! Pretend that you're the chauffeur...put on daughter's panties...."  

Disgusting Plot Twists: From Benny Hill hijinks to a stage littered with blood-soaked bodies.

My Grade: D-

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