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| Edward Judd |
THE DAY THE EARTH CAUGHT FIRE (1961). Producer/director/co-screenplay: Val Guest.
Two nuclear bombs are detonated at the same time, and before long there are serious changes to the weather -- flooding, devastating winds, and a massive heat wave along with thick fog. London reporter Peter Stenning (Edward Judd of
Island of Terror) tries to ferret out exactly what's going on with the unwitting help of a ministry employee named Jean (Janet Munro of
Life for Ruth), who gets angry when Stenning's paper publishes the alarming fact that the blasts have not only shifted the tilt of the earth, but caused an 11% shift in orbit that has the earth moving closer and closer to the sun!
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| Edward Judd and Leo McKern |
The Day the Earth Caught Fire is one of the best science fiction films of the sixties. The movie has a documentary-like feel with overlapping dialogue (a la
The Thing from Another World) that makes it even more compelling. Edward Judd was "introduced" in this film but he actually had had numerous credits before this. He is excellent playing a bitter divorced man who is not especially likable or pleasant except when he's romancing Jean, well-played by an appealing Munro. Leo McKern is also notable as Stenning's associate at the paper, Bill Maguire.
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| McKern, Judd, Munro and Gene Anderson |
One thing that especially sets
Caught Fire apart from similar films is the superb widescreen cinematography of Harry Waxman [
Stolen Hours], whose images of panicking city dwellers, dried up river beds, and a thick fog covering the city are always strikingly effective. The first few minutes, as well as the last few minutes, of the film are tinted sepia to illustrate the extreme heat.
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| Happier times: Janet Munro and Edward Judd |
The Day the Earth Caught Fire also benefits from a literate and intelligent screenplay written by Wolf Mankowitz and Val Guest. The characterizations are solid and there is some well-crafted dialogue, such as when Stenning comments on the suicidal feelings engendered by the approaching disaster. I could quibble about a couple of things: perhaps the collapse of the likable copy boy who drank black market water and gets sick could have generated more pathos, and the last shot of the film is the hoariest of cliches. Other than that, this is an absorbing and very well-made motion picture. This movie was undoubtedly influential on a later and somewhat similar disaster film entitled
Crack in the World.
Edward Judd was married at the time to Gene Anderson, who plays the saucy barmaid May. Tragically she died four years later.
Verdict: This is probably the best film Val Guest ever made. ***.
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